In his recent film, Homecoming, Noé Cantaloube returns to his native French Polynesia – revisiting the rich and varied environment he grew up in, reconnecting with those closest to him, and reimmersing himself once again in the world-class wing and foil conditions to be found in these South Pacific islands.
Words: Noé Cantaloube | Photos: Eric Wittkopf
Homecoming is a simple project. It is about traveling with images and telling a simple story – my story.
This trip was about returning to French Polynesia, to Bora Bora, where I grew up for half of my life. I went back to see my family and friends. For me, this journey is not easy. The distance is long, and it takes time and money. The last time I went home was three years ago – three years without seeing my island. With support from North, I was not alone. I traveled with Eric Wittkopf, a very talented videographer and close friend, and we spent one month shooting around the islands – one month of waves, wind, sun, rain, emotions, and memories.
The first two weeks were in Tahiti, the capital island. When I was young, I only passed through Tahiti, so I never really knew it. Now my fa'a'amu mother lives there for work, and this time I was able to truly discover the island. On our first day, we went straight to the ocean and, unsurprisingly, saw rays, turtles, and sharks. The connection with nature was immediate – it felt like I had never left.
Tahiti turned out to be a big surprise. We found a spot in the south of the island with consistent side offshore wind and a beautiful left wave. The wave was dry and shallow, leaving very little room for mistakes – if you fall in the wrong place, you hit the reef. Most of the wave footage in the film we put together was shot at this spot. It worked every day, and there was nobody there. Well… not exactly nobody. I was riding with turtles, sharks, dolphins, and even whales, and we captured it all on camera – it felt unreal.
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That spot became everything to me – it was this spot or nothing. I felt more connected to nature than ever. And there is one important detail: the spot is 1.8 kilometers from the coast. That is why there is nobody there – only animals… and me. I will not spoil the film, but I think I managed to get one barrel with the Foil Drive and one while wingfoiling – you can judge for yourself when you see it.
To film it, we had only two options – the drone or the aquashot. The drone was the easy part, flying out over the lagoon in less than 30 seconds. The aquashot was another story. Every session began with the drone, then after using up three batteries, Eric would swim 1.8 kilometers out to the spot with a waterproof camera housing. There was wind and current, and he had to swim against both while carrying all that equipment. That is what you call dedication. When the wind was strong, I rode the wave alone in the middle of the ocean – just me and the animals. It was powerful, calm, and sometimes scary. But it was pure.
In the evenings, when the wind was lighter, we went to a well-known place called Vaipoopoo. You may have seen videos of young Tahitian riders dockstarting between the buoys, using the waves from boats passing through the channel. Sunset sessions brought everyone together. Young foilers gathered to ride, push each other, and have fun. The foil gives them a new way to experience the ocean. After surfing and winging during the day and dockstarting in the evening, we wrapped up two intense weeks in Tahiti before moving on.
We took a boat to Moorea – only one hour from Tahiti, yet very different in atmosphere. Moorea is wilder. The mountains rise straight from the ocean, and the island feels raw and untouched. We surfed one or two waves, but the weather was unstable. A small storm passed over the island, bringing heavy rain and shifting winds. The ocean was messy. Even so, we explored – driving around the island, watching the mountains, and observing fast-moving clouds rolling over the peaks.
By chance, we discovered Coral Gardeners, an organization working on coral restoration. They have created a coral garden that grows every day and developed techniques to help corals grow faster and stronger. Their mission is to rebuild coral reefs and protect the ocean. Visiting them was a powerful moment for me. They showed us how humans impact the ocean and explained how fragile corals are. Corals are like the lungs of the ocean – they form the foundation of marine life.
I have spent 25 years in the ocean. It is my playground, my office, my passion. But I had never truly paid attention to the small details like this or fully understood how essential corals are. That visit made me reflect on my role as a rider. I travel, I film, and I showcase beautiful places – but I also carry responsibility. The ocean gives me everything, and I must respect and protect it. Moorea was not about performance – it was about reflection.
After a few days, with the weather still unsettled, we headed to our final destination – Bora Bora. This is where I grew up, where my memories live, and where my friends are. Coming back as a professional rider feels special. When I left the island, I was just a kid who loved the ocean. Now I return with projects and sponsors. Yet with my friends, nothing changes. We meet and laugh like before. We talk about life and about everything that happened during the years I was away. I tell them about my travels; they tell me about the island. Even after 15 years, the connection remains strong.
For foiling, Bora Bora is different. It is mostly flat, with almost no waves. The lagoon is huge and calm, and the colors – blue, turquoise, green – feel unreal. Most of our sessions were behind a boat or wingfoiling in the middle of the lagoon. I also spent many days on my uncle’s boat. We went wingfoiling together, invited friends, and enjoyed simple moments – no pressure, no performance, just riding and sharing. Even Eric was wingfoiling.
Bora Bora is calm. The island changes slowly over time, but it remains small and traditional. People know each other. Life is simple. I carry this island in my heart – it built me and shaped me. Returning with my foil allowed me to rediscover it in a new way. I saw new lines in the lagoon, explored new areas, and shared my passion with the people I love. It became something deeper than performance.
This film is not only about tricks or barrels. Yes, there is performance. Yes, there are strong images – big nature, animals, barrels, wind, drone shots, aquashots, long swims. Effort. But there are also feelings. Between performance and emotion, nature stands above everything. Nature decides. Nature gives. Nature takes.
This project shows that being a professional rider is not only about results or medals – it is about connection. Connection with the ocean. Connection with people. French Polynesia is not just a destination for me – it is my home.
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